MNQ 015 The Metronomes - The Ballad Of The Metronomes | The Metronomes

MNQ 015 The Metronomes - The Ballad Of The Metronomes

by The Metronomes

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1.	A1 - A Living Person 03:58	buy track
2.	A3 - The Ballad Of The Metronome 03:40	buy track
3.	A2 - Sex I 05:39	buy track
4.	A4 - Commentator 03:32	buy track
5.	A5 - The World Is My Oyster 03:27	buy track
6.	B1 - Music For Lounges 04:48	buy track
7.	B3 - Hey Coach 01:23	buy track
8.	B2 - Sex II 04:38	buy track
9.	B4 - Justification 03:12	buy track
10.	B5 - Bad Timing 04:29	buy track
11.	C1 - Soap 03:56	buy track
12.	C2 - Messages From Home 02:55	buy track
13.	C4 - Regular Guys 02:19	buy track
14.	C3 - I Like To Waltz 03:35	buy track
15.	C5 - 18 Creature 07:24	buy track
16.	D1 - Deluxe Service Station 03:58	buy track
17.	D2 - Losing Things 06:50	buy track
18.	D3 - Moral Climates 03:44	buy track
19.	D4 - Make It Plain 02:32	buy track
20.	D5 - Same Phrase Again 02:48	buy track
21.	E1 - Saturday Night 02:33	buy track
22.	E2 - Sunday Morning 03:20	buy track
23.	F1 - A Circuit Like Me (free) 03:51	download
24.	F2 - Closed Circuit 03:51	buy track

about

Mannequin is more than enthusiastic to announce the re-release of both the LPs (“Multiple Choice” from 1980 and “Regular Guys” from 1985) plus the 2 singles seven inches “Saturday Night / Sunday Morning” and “A Circuit Like Me” from this legendary minimal synth band from Australia.

The group was an integral part of the early electronic music scene in Australia and their releases have become a collector’s item in Europe, as they are mostly impossibile to find.

The Metronomes first appeared in Melbourne in 1979, initial members were rock journo-synth player Al Webb, the bass player Andrew Picouleau (Secret Police, Sacred Cowboys) and the synth-pioneer Ash Wednesday, nowdays a live tour member of Einsturzende Neubauten. Al himself will admit later that Ash’s ingenuity in creating something out of very little was the key to the Metronomes sounding as ‘produced’ as they did.

If their first 7’’ single “Saturday Night / Sunday Morning” came out in 1980, featuring a real metronome as rhythm section with instrumentals layered over, instead the second ‘A Circuit Like Me / Closed Circuit’ from 1980 is addice more to experimentation with drum machines, rhytm sections for both sides were recorded using a borrowed Roland CR 78. It was the first time in their compositions that a vocal had been used, courtesy of a lady called Talking Judy.

The first full-lenght ‘Multiple Choice’ was recorded in the winter of 1980, using Roland Strings, a mini-Korg, some Arp synthesizers and a Boss Dr-55, a drum machine that was intensivly used by many minimal synth bands during the 80s and by legendary bands like Sisters of Mercy or New Order in their first songs.

The second album ‘Regular Guys’, published in 1985, was recorded after a break in which all the members various lives and careers took left and right hand turns, surely more premeditated, as most of the songs arrived in studio already written. Each writer had creative contro lover their respective songs, a long-standing

Metronomes road rule, only one track had what you might call a spontaneous birth. The LP featured the next wave of synth toys like the Oberheim synth, Oberheim drum machine and Prophet 5. Once the programming was set up, the instrument tracks were dumper via a PCM box direct to video tape, a pioneeristic process which almost entirely eliminated tape hiss.

Record features:

2×12’’ black vinyl, 33 1/3 rpm (Multiple Choice LP + Regular Guys LP)

7’’ black vinyl, 33 1/3 (Saturday Night / Sunday Morning 7’’ + A Circuit Like Me 7’’)

Handnumbered limited pressing of 500 copies

Gatefold cover for the 2LP with rare pictures

Insert with The Metronomes history by former member Al Webb

First 100 copies will include a 3 tracks BONUS CD-r “The Metronomes Play Their Favourites”

credits

released November 28, 2010

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Spreading cold waves since 2008.

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